Apulian red-figure oinochoe
Apulian red-figure oinochoe
Body attributed to the Ganymede Painter, lid to the Armidale Painter, ca 330–320 BCE.
Donated by the PhiloLogie Society, with the assistance of Lorna Buchanan and Stephen and Mhairi Erber, in memory of Naylor Hillary.
From the collection of Maxwell Coulbeck
H 22.5cm, W 16cm
JLMC 215.14
Apulian red-figure oinochoe
According to one Greek myth, Eros was one of the first gods born at the beginning of time. Considered the most beautiful of gods, Hesiod suggests he was present at the birth of Aphrodite, the goddess of love, and became her constant companion. Other sources say that he was the son of Aphrodite. Some myths suggest he influenced all, both gods and men, and it is said that he had the power to overcome reason and the careful plans of divine and mortal alike.
Here Eros, the god of sexual love, offers a mirror and a wreath to a woman seated on a rock. On her other side, she is approached by a woman carrying a fan and a basket that signify future marriage. Eros is often pictured with a bow and arrows. The Romans knew him as Cupid and in later periods he appears on sarcophagi as a symbol of life after death.