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Alumni story

Emily Buttle

18 February 2025

BFA 1993

Founder and Director of Empress Stiltdance

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Can you tell us about coming to UC to study your BFA? Did you have any ideas about what you wanted to do after studying?

At 12 years old I got a singing part in the Christ The King primary school production. From that moment, all I wanted to be was an actress so I involved myself in performing arts as much as possible between theatre, jazz dancing and drama lessons.

At 17 I won the Arts Prize and was accepted into the Ilam School of Fine Arts, double-majoring in sculpture and theatre studies. I was very happy and fulfilled to have a foot in both disciplines.

How did something as unique as stilt walking and dancing come into your life?

After finishing my studies, my friends Juliet Novena Sorrel and Donna Demente invited me to Dunedin to embark on an artist residency at Moonscream Studios. I spent that summer drifting around Donna's studio dreaming up artworks and making new friends. This turned into the most creative four years of my life.

As a collective of artists, we experimented, played, created exhibitions, poetry circles and made music. We raved, sang, roller-skated, crafted, performed and laughed. A lot!

One day a group of us were taught how to stilt walk and invited to be in a parade down the main street of Dunedin. I was not keen, not confident and slow to learn but I did it anyway.

I carried a huge papier-maché sculpture with me and it was stupidly hard work. Somewhere in the middle of that experience, I realised I had just turned myself into a giant dancing sculpture. A lot of things I can been trying to create all came together then. From the melting-pot of chaos in Dunedin, I found my focus on this art form.

How did you know it was time to turn this passion into a business?

One day during those creatively prolific years, I was in the garage painting and Dad said to me "Em, I just want to see you earning some money from all this". I remember responding, "It's okay, Dad. I will".

Several months later I had gathered the courage (along with $500) and flew to London with a one-way ticket, a costume, and a pair of stilts that Dad made. My vision was to become a large-scale performance artist. As soon as I landed, I made contacts and got hired to perform in my stilts at one of the largest music festivals in Europe - Roskilde in Denmark. I found myself performing in a crowd of 100,000 people while David Bowie played. I was a beaming, dancing glitterball in my silver suit and having the most fun I had ever had.

From that point, everywhere I went people were paying me to dance with my homemade stilts and costume. My first Summer there I performed across Europe - Germany, the UK, Italy and many more. Living on my wits end and hustling every day for the next gig was rough but wild, exciting and well-paid.

I booked with an agent who helped present Empress to hundreds of events. I had my work cut out for me because more events meant more performers and more performers meant more costumes.

Empress has now been in business for 29 years! With a decade in Europe, then Australia, and now back here in New Zealand.

What is the process of bringing a concept to life?

I start by diving straight into making a costume, discovering its final form as I go. Drawing first seems to take the magic away. I get inspiration from nature and fabrics, and start with one part of a costume like a hat, stilt covers or a wing. From there it flows to become a full costume.

As pieces go into the world and are danced in, I can see where improvements can be made. In a way, this means that the collection will never be finished as I am constantly re-making and up-cycling costumes into better versions of what I see in my minds eye. My imagination demands action!

Do you have a favourite project you have worked on?

My favourite visual challenge was the BUZZ installation, aerial shows and stilt dancers in Sky City Auckland. This huge project filled 100m2 with giant hanging flowers, populated with aerial dance bugs, bumblebees and stilt creature wandering the forest floor. Shout out to Geoff Turkington for initiating this incredible project.

Another highlight was the Hong Kong Chinese New Year parade in 2007. I pulled together a team of 25 dancers, all to be on stilts in matching costumes. Along with a 2 hour parade, we had 1 minute and 40 seconds of choreography to be televised to a few billion viewers worldwide. Somehow we pulled it off.

In 2013 we had 7 dancers perform at Eid Al Ada in Doha. A wonderful challenge in 40 degree heat, crushing crowds and passionate music for 7 days straight.

What memories stand out when reminiscing on your time at UC?

My final year with Andrew Drummond changed my life. He was enthusiastic, open-minded, highly skilled and versatile. I was interested in self-referencing performance art and becoming my own sculpture. He gave me a camera and helped me create this vision. By the end of the year I had created a series of photographs and performances as self-as-art-works.

When I look at the Empress collection now, I can see the design and concept threads that go back to art school. In many ways, it was my foundation so I am very grateful for that time.

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